Excerpted from the August 2012 issue of ProNetwork News:

Commissioning is a quality-oriented process for achieving, verifying, and documenting that the performance of facilities and systems meets defined objectives and criteria. It is a quality-based method that is adopted by the building Owner to achieve successful construction, and it is not intended to be an additional layer of construction or project management. When applied comprehensively, the purpose is to reduce the overall cost of a construction project and increase long-term value to the building owners, occupants, and users, better ensuring reliability of performance.

New Building Commissioning (Cx)

The purpose of New Building Commissioning (Cx) is to facilitate and verify proper system performance of a new building. The Process begins at project inception (during the Pre-Design Phase) and continues for the life of the facility (through the Occupancy and Operations Phase).

Why should Building Commissioning be done?

ASHRAE performed a study of 60 commercial buildings and found that more than half suffered temperature control problems, 40% had problems with HVAC equipment and one-third had sensors that were not operating properly. Amazingly, 15% of the buildings were actually missing specified equipment.

The Commissioning Process is intended to reduce the project capital cost through the first year of operation. It also reduces the life-cycle cost of the facility. By utilizing this process a fully functional, fine-tuned facility is provided, with complete documentation of its systems/assemblies, and with operators and maintenance personnel fully trained.

Building commissioning is of greatest value to the owner when it provides a means of continuously communicating their building systems criteria and rigorously verifying compliance with them, throughout the many phases of design and construction.

Prior to design, the Commissioning Authority (CxA) will assist the Owner in evaluating the facility’s requirements regarding such issues as energy conservation, indoor environment, staff training, and operation and maintenance. Continue reading “Building Commissioning: Process Types & Definitions”

“My big question for Architecture is, Why do humans have to adapt to buildings? And why can’t Architecture adapt to humans?”

Doris Kim Sung

[youtube=http://www.youtube.com/watch?feature=player_embedded&v=-Ms5qoMO3gQ]

It is in the very nature of a trend to move on past its point of highest enthusiasm and fizzle out in favor of something else. Architecture, like everything else, goes through these periods of interest and inclination. For a long time, Sustainable Architecture–environmentally conscious design–was considered the latest trend. Now that trend is evolving.

Resilient Architecture takes the ideas behind sustainable design a step further. Metal That Breathes is one of the latest evolutionary byproducts of the new trend, and is best evidenced by the work of Architect Doris Kim Sung of the University of Southern California.

Inspired by her original interest and education in Biology, Sung used so-called “smart metal” to design and build her Bloom installation in Los Angeles. As Sung pointed out in her recent TED talk, “[Skin is] the first line of defense for the [human] body… Our building skins should be more similar to human skin.”

One author on the Core77 design blog explained Sung’s work this way:

Sung has been experimenting with thermo-bimetals, two thin layers of metal that expand and contract, in response to temperature, at different rates. Laminating two like-sized sheets of different material together and subjecting them to a temperature change causes the sheet to curl up—and this phenomenon can be exploited to create a building that ingeniously shades itself as needed, requiring no external power.

Sounds crazy, no? And it’s possible that the American market is not yet ready to explore the possibilities of this breathing metal in its regular buildings. But as Sung mentioned in her recent TED talk, at least one Chinese developer is already including the thermo-bimetal screens in its design for a house. The screens “can actually open and close as the sun moves around on that surface,” said Sung. “[This implies] that we don’t need shutters, or drapes, or blinds anymore… we can control the amount of air conditioning you need inside that building.”

Watch Sung’s Metal That Breathes TED Talk (and hear about how the breathing capabilities of grasshoppers factor into her research!) here:

[youtube=http://www.youtube.com/watch?feature=player_embedded&v=wvIyVZf3qZU#!]

And in case you’re wondering about the deeper implications of this kind of beyond-the-basic-sustainability philosophy, I’ll leave you with this quote from a recent Treehugger.com blog post entitled Building Green Is No Longer Enough, It is Time To Build Resilient:

It turns out that many of the strategies needed to achieve resilience–such as really well-insulated homes that will keep their occupants safe if the power goes out or interruptions in heating fuel occur–are exactly the same strategies we have been promoting for years in the green building movement. The solutions are largely the same, but the motivation is one of life-safety, rather than simply doing the right thing. We need to practice green building, because it will keep us safe–a powerful motivation–and this may be the way to finally achieve widespread adoption of such measures. — Alex Wilson, founder of BuildingGreen

a/e ProNet clients Hank Koning, FAIA, FRAIA, LEED AP and Julie Eizenberg, AIA have been honored by AIA|LA with the gold medal for their significant body of work and lasting influence on the theory and practice of architecture. The Gold Medal is the highest honor the AIA|LA can bestow, and it will be presented at the AIA|LA Design Awards, gala on October 22nd 2012 at the Broad Stage in Santa Monica.

It’s been a good year for Koning Eizenberg Architecture.

Above Photo: “Pico Branch Library broke ground last week at Virginia Avenue Park, Santa Monica… The Pico Branch is slated to be the first LEED Platinum library in Los Angeles when it opens in November 2013. View renderings of the library here.”

Below Photo: “28th Street Apartments historic restoration and addition for Clifford Beers Housing is just about finished! The original YMCA, designed by noted African American architect, Paul Williams in 1926, is being carefully restored and will offer  community services and supportive housing.”

We wish them a very fun time at the gala this evening. Well deserved!

Follow Koning Eizenberg Architecture on Twitter for future announcements. Remember, “Architecture isn’t only for special occasions!”

Item contributed by Alicia Igram of a/e ProNet Member firm IOA Insurance Services in Aliso Viejo, California.

a/e ProNet client Peter Walker, founder of PWP Landscape Architects, will receive this year’s Urban Land Institute (ULI) J.C. Nichols Prize for Visionaries in Urban Development. Walker will be honored at ULI’s annual fall meeting (October 16-19) in Denver.

Excerpt from the ULI Press Release:

Walker, whose career spans five decades, is widely recognized as one of the most accomplished landscape architectural designers of his time, forging the renaissance of landscape architecture as a discipline. The scope of his work is expansive, ranging from the design of small gardens to the planning of cities around the globe, with a particular emphasis on corporate headquarters, plazas, cultural gardens, academic campuses and urban regeneration projects. Exploring the relationships among art, culture and context, Walker challenges traditional concepts of landscape design.

“The thread that runs through all of my work is to make public space memorable, to make it the heart of the city,” Walker said. “You have to make people aware of the space so that it sticks in their memory, and it is important to the community. It’s not enough to just have open space. It has to have character and uniqueness.”

Walker was one of the chief designers of the National September 11 Memorial, “Reflecting Absence,” in New York City, which opened on September 12, 2011. His thoughtful approach to the memorial has been highly praised as reflecting both the collaborative aspiration of his practice and the public impact of his work. Other prominent projects include Jamison Square Park in Portland, Ore.; the Nasher Foundation Sculpture Garden in Dallas; Sony Center in Berlin; Millennium Park in Sydney; and Constitution Gardens on the National Mall in Washington, D.C.

We congratulate Peter Walker on this well-deserved honor!

About the ULI J.C. Nichols Prize for Visionaries in Urban Development

The ULI J.C. Nichols Prize is funded by an endowment from the family of J.C. Nichols to the ULI Foundation. A management committee including ULI representatives and members of the Nichols family directs the prize program. More information on the prize program is available at www.nicholsprize.org.

About the Urban Land Institute

The Urban Land Institute (www.uli.org) is a global nonprofit education and research institute supported by its members. Its mission is to provide leadership in the responsible use of land and in creating and sustaining thriving communities worldwide. Established in 1936, the institute has nearly 30,000 members representing all aspects of land use and development disciplines.

Item contributed by Leslie Pancoast of a/e ProNet Member firm IOA Insurance Services in Pleasanton, California.

Getting Paid For Design Services

The last few years have been challenging for many design firms. Adding fuel to this fire, many firms are having difficulty obtaining payment for their services. In a recent and ongoing SmartRisk Survey: 81% indicated trouble with getting paid. Successful account receivable programs do not have to be time consuming or daunting. By implementing some straightforward practices, a firm can implement an effective program that gets invoices paid on time along with maintaining a positive relationship with clients.

Establishing Financial Expectations. In an initial meeting with clients, explain in a clear and concise manner exactly what your services will be and the value you bring to the project, along with clearly stating your compensation terms. Your communication should be clear in establishing the financial expectations with the client. At this face-to-face meeting, you will obtain a sense of the client’s financial capability and ability to pay for your services. If you don’t get that warm and fuzzy financial feeling, this is the time to walk away.

Contract Agreement. The boundaries discussed at the initial meeting should be outlined in the contract agreement. Include a specific scope of services for the project, associated fees, expenses and cost of additional services. In basic terms, the agreement should explicitly state your client owes you money for services you will be rendering. The agreement should also specify the terms of payment, including any payment in advance of services. Continue reading “Getting Paid For Design Services”

This week, 46 a/e ProNet members from 27 member agencies are expected to attend our annual meeting in Chicago, Illinois. Over the course of two and half days, twelve top-tier Professional Liability insurance companies will present to our membership. Each company will take this opportunity to announce policy form changes, new endorsements, and pricing expectations for the coming year; as well, they will alert us to industry trends surrounding claims and risk management.

Because a/e ProNet brokers are independent, that-is, not tied to any single insurance company, the insurance companies sending representatives to this event know that they are in competition for our business. It is in their best interest to make their programs as comprehensive and beneficial  to our clients as possible. The companies attending this event include: RLITravelersVictor O. SchinnererLibertyBeazleyCatlinHCCHanover, Navigators, Insight, All Risks, and AXIS.

Our Thursday night reception for members and insurance company representatives will be held at a new venue this year: The Grand Army of the Republic (GAR) Rotunda at the Chicago Cultural Center.

Our clients are architects and engineers, and we appreciate what they do today, as well as what they have created in the past. We chose the Chicago Cultural Center, opened in 1897, because it is “one of the city’s most popular attractions and is considered one of the most comprehensive arts showcases in the United States.” In other words, it’s beautiful! A Chicago landmark, located in the Loop, across Michigan Avenue from Millennium Park, the GAR Memorial consists of a large hall and rotunda in the north wing of the building. The hall is “faced with deep green Vermont marble, broken by a series of arches for windows and mahogany doors. The rotunda features 30-foot walls of Knoxville pink marble, mosaic floor, and a fine, stained-glass dome in Renaissance pattern by the firm of Healy and Millet.”

If you have questions about this meeting, or a question about a/e ProNet, don’t hesitate to contact us. You can also find your local a/e ProNet broker through our website.

World-Architects & URBANSCREEN

I love when the latest update from World-Architects arrives in my email. Covering projects and trends from around the globe, this e-magazine makes architecture available and interesting to the public. There’s always something cool to see. This week, it’s a game of shadows and light: the colorful disappearing act of Sydney’s Opera House, brought to the masses by URBANSCREEN.

[vimeo http://vimeo.com/45835867]

Is your mind sufficiently blown? Thought so.

URBANSCREEN is based in Bremen, Germany. Established in 2005, their team currently consists of eight contributors, artists brought together from different disciplines representing architecture, music, stage design and media-art.

As URBANSCREEN notes in the World-Architects interview, “The majority of our works are homages to the concept of the architect, emphasizing a building’s features and extending the perception of its construction.”

Art feeding art feeding art. Check out the URBANSCREEN blog for more incredible videos like this one, and read the World-Architects article for an in-depth look at the artistic process.